Ballet Across America: Smaller troupes stand tall at Kennedy Center: As a snapshot of ballet in this country, the six-day, nine-company Ballet Across America series at the Kennedy Center, which concluded Sunday, offered some good news but little revelation. The primary take-away is that whether you're talking Memphis or Tulsa, Seattle or Charlotte, there's an impressively high level of skill among the nation's ballet dancers.
The companies are also overwhelmingly white and dotted with Europeans -- as they have always been. Diversity in ballet remains a serious problem for the small companies as well as the large, on the coasts as well as in the heartland. In the 21st century, we can put a black man in the White House, but as last week's survey shows, we can't put a black ballerina in the Opera House. Clearly, not enough work is being done to foster African American dancers. But with public money in their coffers, ballet companies -- and the local, state and federal funders -- need to make equal opportunity in the dancer ranks a priority.
